(Wow! … I was hoping to wipe my nose with this.
[Laughter] )
Since childhood, I’ve been faithful to monsters.
I have been saved and absolved by them
because monsters, I believe,
are patron saints of our blissful imperfection
and they allow and embody the possibility of failing and live.
For 25 years, I have handcrafted very strange little tales made of motion, color, light, and shadow.
[*Sighs*]
And in many of these instances, in three precise instances,
these strange stories, these fables, have saved my life –
once with “Devil’s Backbone,” once with “Pan’s Labyrinth,” and now with “Shape of Water,”
because, as directors, these things are not just entries in a filmography –
we have made a deal with a particularly inefficient devil that trades three years of our lives for one entry on IMDb.
[Laughter]
And these things are biography, and they are life.
And I want to thank the Hollywood Foreign Press Association, Fox Searchlight,
[Slow music plays]
And I wouldn’t be here – lower the music, guys, one second.
[Laughter and applause]
[Chuckles]
It’s taken 25 years. Give me a minute.
[Chuckles]
[Cheers and applause]
Give me a minute.
[Cheers and applause continue]
[Music continues]
I wouldn’t be here without my cast, my crew…
[Music fades]
…and I want to mention a few fantastic women sitting at this table –
Sharon, Nancy, Octavia, Sally, Kimmy, and Vanessa –
without whom I wouldn’t be here.
[Cheers and applause]
Thank you.
My monsters thank you.
And somewhere, Lon Chaney is smiling upon all of us.
Thank you very much.
[Cheers and applause]